Hurdy Gurdy Man

My scanner is out of action at the moment, so there is neither any new work nor can I delve into the photos from my past (seeing as most of what I’m sharing at the moment is film based). But we can go back to the distant past of summer 2017 for this photo which I like. It’s shot on Ilford FP4 which I’d have rated at box speed, which frankly in the UK normally means a summer day with lots of sun; I suspect the reason we shoot so much HP5 and Tri-X here, and so many british film youtubers discuss pushing film is the weather. Interestingly though, back in the 70s I remember shooting almost exclusively FP4 and only occasionally going up to HP5. We always remember our younger days as being perpetually sunny, maybe it was true!

I’ve done a bit of online research and the musician is Mike Smith, who is also a painter – here are links to his website, and his Instagram

Motor Bike, front end remains – 79

Motor Bike Front End

Should you not have guessed, we’re into ‘photos of my past’ territory again with this one, and I can date it pretty much spot on to 1979. What you’re looking at here is the remains of the front end of a Honda CD175 in blue, which you can’t see in this photo, not a million miles away from this one. It’s in this state after a reasonable speed impact with the front end of a Renault something or other on the Jacob’s Well road near Guildford. This is apparently a well known accident black spot due to it’s tight bends and poor visibility, a fact to which I can heartily testify. Now, to put the record straight, this was totally and entirely my fault, something on which the police had already decided leading to a £60 fine and 3 points on my licence. Luckily I walked away from this, well I walked out of the casualty department which is broadly the same thing, and never got on a motor bike again.

If this is 79 then my guess is that we’re in the first years of the Pentax K100 and I think, from the depth of field on this, that the standard 50mm lens was probably quite far open.  I’m taking a punt on FP4 as that was rather my monochrome film of choice at the time. I rather like the effect of the high contrast monochrome on this with the shiny chrome,  the deep shadows and the pebble dash of my old mum’s kitchen wall in the background. There are actually lots of fun textures in this and what looks like a bit of motion blur on the wall but not on the bike, something I have no idea how I achieved (to label this ‘intentional camera movement’ would be taking ‘stretching the truth’ right out to ‘downright lying’). All in all, I’m rather taken with this image now I’ve re-discovered it after so many years!