I have many interests besides old cameras, one of which is the DDR. It was a fascinating state, and far more than the vision of ‘StasiLand’ which so many of us hold (though that’s not to downplay the fact that it wasn’t a democracy and the Stasi were indeed far from warm and cuddly. Time for a plug of the wonderful book ‘Beyond The Wall’ by Katja Hoyer at this point for a great view of everyday life in the DDR.
I was looking for a TLR on a well known internet auction site, because, well I’ve never owned a TLR or shot with one and I thought it might be fun to pick up a Lubitel or something just to check out the experience of using one. Scrolling through the listings I saw, at a sensible price, marked ‘mechanically working’ and not attracting a lot of interest, a TLR made by Weltaflex. Something about that name made me go and look and thus find that this was a TLR manufactured in the 50s in the DDR. Was I going to bid on it? Did Walter Ulbricht wear a sombrero? If you’ve read ‘Beyond the Wall’ you’ll know he did… I secured it for a very sensible price indeed and in due course, wonderfully securely packed, it arrived. Here it is.
As you can see, it’s got a pleasently robust look such as one might associate with the DDR, and seemed in great condition overall, the knobs turned, the shutter clicked, all seemed well. I looked down into the viewfinder and thought ‘well that’s a bit dark’, but a bit of research online found me other people with products of the Welta factory saying they were a bit dark. But this was really dark, really really dark. So I popped off the top and low and behold, the mirror was pretty much totally shot. It’s front silvered and there wasn’t really anything one might call ‘silver’, more a sheet of glass with some brown bits. Well one of the big things about the DDR, as they were always short on resources was that they built things to be repairable, probably by the owner and possibly on the kitchen table, so I viewed resovling this as being entirely in the spirit of the culture which produced the camera. I started out by messaging the seller, who clearly bought and sold a fair bit of stuff for advice. He said some people had success with mirror spray, but then came back and said that he was prepared to take it back for a full refund. I said that it he’d said it worked mechancially which it did, it was 50 years old and I’d paid £35 for it so frankly I’d be amazed if it hadn’t required some level of fettling. He said thanks and that most people were not that understanding. I’m lucky, I work in a school, and one reason (among many) why that’s lucky is that you have access to all sorts of people with skills and stuff. We have science technicians who have all sorts of useful things like magnets, or things to clean things with and, fortunately in this case, a D&T technician with a big stock of offcuts of all sorts of things. So on the offchance I enquired about mirror finish acetate sheet. She grabbed a box of bits of acetate of all kinds and produced a small bit of sheet, with a highly reflective front surface which when I tested it was exactly the same thickness as the mirror. I mean how lucky was that, the right stuff and I could even cut it with a craft knife on the kitchen table. The citizens of the DDR would have been proud of me.
I cleaned up the focussing screen and the lenses, reassembled it and now while not exactly bright it was good enough to photograph with outside on a sunny day. My wife had something to do near one of my favourite cemeteries (I do like photograhing in cemeteries) so she dropped me off with the Weltaflex loaded with Fomapan 200 so I could give it a test run. It doesn’t have anything fancy like a light meter so I had to use an app on my phone, but the light was pretty consistent so once I’d metered once I was confident in being good to go. So, here are some samples (Rodinal 1:50, as per massive dev, if you’re interested)
I was pretty pleased with them, the camera was easy and felt really good to use in the hand. It’s pleasently solid without being over-hefty and once I’d got used to things being the wrong way round framing wasn’t too difficult. I think the focus might need tweaking as there didn’t seem to be a lot of relationship between the scale on the lens and the distance to things, but used in good light when you can stop the 75mm lens down for depth of field it’s not an issue.
But there’s a whole other dimension to this as the camera was very probably made for export, because on the back is an embossed lable saying ‘Bathes, Torquay’. On doing a search it turns out that Bathes were a big player in photography on the Devon Riviera at the time and clearly sold this camera somewhere down there. You have to wonder who the original owner was, I like to think she was one of those folks who used to hang out on the prom in seaside towns photographing holiday-makers. But the world of this camera, and this is one reason I like them so much, was very different to ours. A week in Torquay was probably the highlight of a hard working family’s year, and back home in the 50s the Berlin Wall hadn’t been built – this was a camera which left the factory probably a decade before the wall went up, and was shot by me several decades after it came down. That’s the delight of old cameras.